George’s favorite instrument to listen to when growing up was the organ, and before he had learned to play, he was always looking for records that featured it. In 1967, when he heard the first Doors’ album, it was the major impetus for him to start playing. „When I heard the first song on side one, Break on Through (to the Other Side), to me it was the greatest piece of music I’d ever heard (unfortunately, it didn’t work out for me as a solo piano piece). It is a perfect song – the arrangement, dynamics, lyrics, the great jazz-influenced drumming and percussion by John Densmore, the beautiful guitar lines by Robby Krieger, the incredibly powerful and unique organ instrumental break by Ray Manzarek, with his simultaneously hypnotic bass lines, and those vocals by Jim Morrison. It was deeper to me than anything I’d ever heard. It was also the first time I had ever really paid attention to the lyrics of a song, and the first time I had been that affected by a whole album, musically and otherwise.“
Winston has listened to the Doors for over thirty years and they continued to inspire him to this day. „The Doors were also my main inspiration to record conceptual albums, especially Autumn.“ This latest album evolved out of the eleven Doors songs that he had arranged as part of the repertoire for the solo R&B piano dances that he is doing more and more of. Most of the music George is now working on is in the R&B style, inspired by the great New Orleans pianists Henry Butler, the late James Booker, the late Professor Longhair, and Dr. John, arranging soul, rock, slow dance songs, and standards into solo piano pieces. „The first volume of dance songs was to be the next album, but the Doors album moved ahead of it.“